Loophole Cinema
1989 -1998 A collective of artists, specialising in large scale installation and performance work, usually of a site specific nature. Image set. Event list. Also view Loophole Cinema archive footage here.
| Fragments of texts used in funding applications and publicity: | ||
| Drawing on the influence of the pre-cinematic history of the projected image; Javanese shadow puppets, magic lanterns, and the optical toys of the 19th century, combining these with post-cinematic digital and videorama technologies. |  |
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| The creation of live environments and events which harness the potential of multi-projection situations in combination with constructed kinetic machinery, sampled, live and recorded sound, shadow play and bodily interventions. |  |
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| Exposure and rejection of the “mystery” of image creation, it’s industry and technologies |  |
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| The creation of “interactive shadow engines” that merge audience, performer and architecture into a hybrid shadow of light, sound and apparatus. |  |
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| Juxtaposing high-tech, low-tech and no-tech and setting these different elements against each other under varying degrees of human control and intervention. |  |
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| Creating audio-visual-physical confrontations and collisions. |  |
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| Investigation of spaces, revealing and radically transforming the site – exploration of all its dimensions, interior ‘space’, exterior ‘skin’, altitude above and below the space. |  |
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| Members : Greg Pope, Bea Haut, Ben Hayman, Paul Rodgers, Ivan Pope. |
